Limited-edition pressing strictly capped at 30 copies, housed in blank jackets with cover art overlaid – a style collectors of early ESP-Disk’ releases will recognize as a return to an old ESP tradition. One per person only! ESP sold out of its half of this edition, but you can buy the vinyl on the Owl Xounds page: owlxounds.bandcamp.com/album/the-coalescence-w-bonus-track
Includes unlimited streaming of The Coalescence
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
翻国外的app
黑洞2加速器
1.
翻国外的app
09:36
翻国外的app
2.
Cavernous Ode
09:02
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3.
Aghast at Last
10:26
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黑洞2加速器
Kriney, a devout DIY creator of albums in the first decade of the 21st century, notably as the leader of La Otracina, sports an ESP-Disk’ logo tattoo. He's since led a number of rock bands, notably psychedelic warriors The Golden Grass. Jazz elder Janas, a bassist in the Henry Grimes tradition, had been on the avant-jazz scene since the ‘60s and was a member of the legendary downtown NYC band Sedition Ensemble with Bern Nix and Dewey Johnson. Mentored by William Parker, Dulberger’s profile has become much more prominent in the decade since, including work with radicals Cellular Chaos. The fiery Rechtern is a Frank Wright-fierce saxophonist, born in Berlin, who played in the Open Rehearsal Black Music Orchestra at the University of Wisconsin in the early 1970s, and later in Direct Composing Orchestra in Vienna and in the Linda Sharrock Network. Other material from this 2007 session was released as Splintered Visions on the Blackest Rainbow imprint in 2011.
黑洞2加速器
released June 26, 2020
Adam Kriney, drums; Gene Janas, upright bass; Shayna Dulberger, upright bass; Mario Rechtern, saxophone, electronics and various apparatus; Julien Palomo, liner notes
Recorded at Urban Spaceman Studio, Brooklyn NY, by Andrea Zavareei.
黑洞2加速器
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黑洞2加速器
黑洞2加速器
jazz
improvisation
Brooklyn
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Owl Xounds Exploding GalaxyBrooklyn, New York
Owl Xounds were an undeniable force in the early 2000s NYC underground free-jazz/improv scene. Their Cow on Mushrooms album was selected as one of the top Jazz/Improv records of the year by magazine The Wire in 2005.
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